So I finally got around to listening to Tornike Kipiani’s Take Me as I Am, and the first thing I…
In defense of Uku Suviste (and, by extension, Tom Leeb)
Over the weekend, in what was apparently a highly controversial decision, Uku Suviste won Eesti Laul. Suviste is bringing the…
Where’s Robin?
Earlier today, Robin Bengtsson dropped his video for Take A Chance on Me, which was filmed in London a few…
Violent Thing is a great song but a horrible title so let’s change it
So yesterday, Germany announced its Eurovision entry in a claustrophic screening room, preceded by powerpoint slides and pie charts and…
I will be rolling my eyes at this song until My Last Breath
So I’ve just listened to the song that the UK is supposedly announcing for Eurovision tomorrow. this is apparently the…
SCOOP: The Vatican announces their Eurovision entry
For weeks now I’ve been working my sources in the Church trying to figure out if, as rumours had it,…
Exclusive: A Message from Victor Crone
On Sunday, as I was eating a delicious vegan dinner*, my phone buzzed. I had received a DM from a…
This year’s Melfest casualty
I know what you’re saying. Casualty, singular? Sweden is a powerhouse of pop! But this year’s Melfest has been, well,…
A List of Reasons I Should Hate Armenia’s Entry (because I inexplicably LOVE it)
When I watched the playback of entries from Depi Evratesil on Saturday night, I was not impressed by Athena Manoukian’s…
How Tom Leeb’s song came into being
EVENING – THE ELYSEE PALACE President Emmanuel Macron sits in front of a roaring fire, re-reading a biography of Charles…